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‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game
| USA | culture | ✓ Verified - variety.com

‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game

#Ready or Not 2 #Samara Weaving #Owen Gleiberman #Horror-comedy #Social satire #Elite critique #Sequel analysis #Ultraviolent schlock

📌 Key Takeaways

  • Ready or Not 2 delivers a garishly booby-trapped, winkingly clever-dumb experience
  • The sequel expands its portrait of 'the elites' with brutally single-minded action
  • Samara Weaving stars in a more dangerous and luridly preposterous game
  • The film's depiction of homicidal elites resonates with current cultural fixations
  • The sequel maintains ultraviolent schlock while adding social commentary layers

📖 Full Retelling

Film critic Owen Gleiberman reviewed the sequel 'Ready or Not 2: Here I Come' on March 13, 2026, praising Samara Weaving's performance while noting the film expands its portrait of 'the elites' with brutally single-minded action that builds upon the bloody clever-dumb premise of the 2019 original horror-comedy hit. The review describes the sequel as delivering exactly what it promises: a garishly booby-trapped, winkingly clever-dumb good time that makes up rules as it goes along, combining genuine humor with an invitation to appreciate its misanthropic cheesiness. Gleiberman observes that while the first film was 'nothing more (or less) than a well-executed piece of ultraviolent schlock,' it has gained increased relevance in today's cultural landscape. The critic notes how the original's depiction of a clan of homicidal aristocrats who attempt to murder their son's new bride by dawn anticipated contemporary fascination with the hidden horrors of the wealthy elite class, sometimes referred to as the 'Epstein class.' The sequel apparently intensifies this social critique while maintaining the over-the-top violence and dark comedy that made the first film a cult favorite.

🏷️ Themes

Horror-comedy, Social satire, Sequel analysis, Elite critique

📚 Related People & Topics

Samara Weaving

Samara Weaving

Australian actress and model (born 1992)

Samara Weaving (born 23 February 1992) is an Australian actress and model. She gained attention for her work in Australian television, appearing on the series Out of the Blue (2008) and receiving an AACTA Award nomination for playing Indi Walker on the soap opera Home and Away (2009–2013). She appea...

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Owen Gleiberman

American film critic

Owen Gleiberman (born February 24, 1959) is an American film critic who has been chief film critic for Variety magazine since May 2016, a title he shares with Peter Debruge. Previously, Gleiberman wrote for Entertainment Weekly from 1990 until 2014. From 1981 to 1989, he wrote for The Phoenix.

View Profile → Wikipedia ↗

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Mentioned Entities

Samara Weaving

Samara Weaving

Australian actress and model (born 1992)

Owen Gleiberman

American film critic

Deep Analysis

Why It Matters

This review matters as it highlights how a horror-comedy sequel has evolved to reflect contemporary societal concerns about wealth inequality and the hidden dangers of elite classes. The film's apparent intensification of social critique through over-the-top violence and dark comedy suggests a growing trend in entertainment that uses genre films to comment on real-world power structures. For audiences, this represents entertainment that balances escapism with social relevance, potentially influencing how other filmmakers approach similar themes.

Context & Background

  • "Ready or Not" (2019) was a horror-comedy directed by Matt Bettinelli-Olpin and Tyler Gillett, following a young bride who must survive a deadly game orchestrated by her wealthy in-laws.
  • The original film developed a cult following for its blend of dark humor, extreme violence, and social commentary on class divisions.
  • The film's premise of wealthy elites engaging in violent games gained increased relevance following real-world revelations about wealthy individuals and their potentially harmful behaviors.
  • The term "Epstein class" referenced in the review alludes to Jeffrey Epstein and other wealthy individuals involved in scandals, reflecting growing public awareness of elite misconduct.
  • Samara Weaving starred in the original film as the protagonist Grace, becoming a rising star through her performance.
  • Horror-comedies that blend genre elements with social critique have gained prominence in recent years, with films like "Get Out" and "The Hunt" addressing similar themes.

What Happens Next

With the review published on March 13, 2026, the film is likely to see increased box office performance based on the positive critical reception. The franchise may continue with additional sequels given the apparent success of maintaining the original's tone while expanding its social commentary. We can expect discussions about the film's cultural impact to intensify as audiences connect its themes to ongoing conversations about wealth inequality and elite power structures.

Frequently Asked Questions

What is 'Ready or Not 2: Here I Come' about?

The sequel continues the horror-comedy franchise about wealthy elites engaging in deadly games, with Samara Weaving returning in what appears to be a more intense exploration of class divisions and elite excess.

How does the sequel differ from the original 2019 film?

While maintaining the original's blend of dark humor and extreme violence, the sequel apparently intensifies its social critique of the wealthy elite class, making its commentary more pronounced while keeping the 'clever-dumb' tone.

Why has the original film gained increased relevance?

The film's depiction of homicidal aristocrats has been seen as anticipating contemporary fascination with the hidden horrors of the wealthy elite class, particularly in light of real-world scandals involving powerful individuals.

What is meant by the 'Epstein class' reference?

The term refers to wealthy elites whose potentially harmful or exploitative behaviors have been exposed in recent years, drawing parallels to figures like Jeffrey Epstein and highlighting concerns about unchecked power among the ultra-wealthy.

How has Samara Weaving's career been affected by the franchise?

Weaving's performance in the original film helped establish her as a rising star, and her return in the sequel further solidifies her position in the horror-comedy genre while potentially expanding her appeal to broader audiences.

What cultural trends does the film reflect?

The film reflects growing public awareness of wealth inequality and elite misconduct, using horror-comedy as a vehicle to explore these themes while providing entertainment that balances escapism with social commentary.

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Original Source
Mar 13, 2026 8:29pm PT ‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game The sequel to the the bloody clever-dumb 2019 hit expands its portrait of "the elites," though the action remains brutally single-minded. By Owen Gleiberman Plus Icon Owen Gleiberman Chief Film Critic @OwenGleiberman Latest ‘The Rise of the Red Hot Chili Peppers: Our Brother, Hillel’ Review: A Blistering Portrait of the Band’s Early Years Melts Into an Overdone Lament 10 hours ago ‘I Love Boosters’ Review: Keke Palmer Takes Charge in Boots Riley’s Playfully Out-There Riff on Shoplifting, Sisterhood and Fashion Madness 1 day ago The Oscar Best Picture Winners Have Long Been a Sign of the Times. This Year Even More So 1 day ago See All “Ready or Not,” the 2019 horror-comedy hit that turned “The Most Dangerous Game” into an aristocratic Victorian funhouse slasher movie, was nothing more (or less) than a well-executed piece of ultraviolent schlock. Yet there’s a funny way in which the movie has more resonance now than it did then. Its depiction of a clan of homicidal sickos, who in accordance with the family “rules” end up trying to murder their son’s new bride by dawn (she’s played by Samara Weaving , who comes on like a final-girl-gone-psycho version of Margot Robbie), anticipated our current fixation on the hidden horrors of the Epstein class. Related Stories Netflix Out as Investor in Meghan Markle Brand As Ever
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