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Agon review – ice-cold, machine-tooled inspection of the dark side of athletic perfection
| United Kingdom | politics | ✓ Verified - theguardian.com

Agon review – ice-cold, machine-tooled inspection of the dark side of athletic perfection

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<p>Three sportswomen undergo the various ordeals of competition in a spare, sometimes harrowing drama suffused with a chilly vérité detachedness</p><p>Here is a fascinatingly experimental debut feature from Italian film-maker Giulio Bertelli, son of fashion designer Miuccia Prada; a machine-tooled movie, intensely designed and controlled. It’s a kind of Martian’s-eye-view documentary about something that doesn’t actually exist; it is ice-cold and detached, almost without dialog

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Deep Analysis

Why It Matters

This article highlights the experimental nature of a new film by Giulio Bertelli, emphasizing a cold, precise aesthetic that contrasts with traditional sports narratives. The review suggests the film is a highly controlled and stylized exploration of athletic perfection.

Context & Background

  • The film is an experimental debut feature from Italian director Giulio Bertelli.
  • It is described as a 'machine-tooled' movie, suggesting intense design and control over the subject matter.
  • The content involves three sportswomen undergoing competition ordeals in a spare setting.

What Happens Next

The film offers a unique perspective on athletic performance, characterized by an ice-cold, detached aesthetic. The review suggests it is a documentary style focusing on the stark reality of competition.

Frequently Asked Questions

What is the core essence of this film?

The film is described as an experimental debut feature that uses a machine-tooled, ice-cold perspective to examine athletic perfection.

Who is the director and what is the style of the film?

The director is Giulio Bertelli, son of fashion designer Miuccia Prada, and the film is a kind of Martian's-eye-view documentary.

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Original Source
<p>Three sportswomen undergo the various ordeals of competition in a spare, sometimes harrowing drama suffused with a chilly vérité detachedness</p><p>Here is a fascinatingly experimental debut feature from Italian film-maker Giulio Bertelli, son of fashion designer Miuccia Prada; a machine-tooled movie, intensely designed and controlled. It’s a kind of Martian’s-eye-view documentary about something that doesn’t actually exist; it is ice-cold and detached, almost without dialog
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Source

theguardian.com

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