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<p>Whether making microtonal pop or playing Renaissance instruments with sheep bones, a crop of bold artists are making genuinely strange music go mainstream – but are they at the mercy of the algorithm?</p><p>Chloë Sobek is a Melbourne musician who plays the violone, a Renaissance precursor to the double bass. But instead of playing it in the traditional manner, she puts wobbling bits of cardboard between its strings or uses a sheep’s bone as a bow, and these weird interventio
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<p>Whether making microtonal pop or playing Renaissance instruments with sheep bones, a crop of bold artists are making genuinely strange music go mainstream – but are they at the mercy of the algorithm?</p><p>Chloë Sobek is a Melbourne musician who plays the violone, a Renaissance precursor to the double bass. But instead of playing it in the traditional manner, she puts wobbling bits of cardboard between its strings or uses a sheep’s bone as a bow, and these weird interventio