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Matisse, 1941-1954 review – hit after glorious hit in a show of life-enhancing genius
| United Kingdom | politics | ✓ Verified - theguardian.com

Matisse, 1941-1954 review – hit after glorious hit in a show of life-enhancing genius

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<p><strong>Grand Palais, Paris<br></strong>An epic collection of the artist’s final 13 years of work explodes with the stunning colours and spiky cutouts that redefined art</p><p>Forget the joy and energy of youth – your best days might yet be ahead. <a href="https://www.theguardian.com/artanddesign/matisse">Henri Matisse</a>’s were, even when he barely made it out of surgery alive in his early 70s as war was breaking out across France. Sitting in

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<p><strong>Grand Palais, Paris<br></strong>An epic collection of the artist’s final 13 years of work explodes with the stunning colours and spiky cutouts that redefined art</p><p>Forget the joy and energy of youth – your best days might yet be ahead. <a href="https://www.theguardian.com/artanddesign/matisse">Henri Matisse</a>’s were, even when he barely made it out of surgery alive in his early 70s as war was breaking out across France. Sitting in
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