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Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture
| United Kingdom | politics | ✓ Verified - theguardian.com

Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture

#Midwinter Break #theater review #emotional rupture #brilliant acting #drama #portrait #sadness #rapture

📌 Key Takeaways

  • The play 'Midwinter Break' is a poignant and sharply written drama.
  • It explores themes of emotional rupture and moments of rapture in relationships.
  • The performances are highly praised for their brilliance and depth.
  • The production balances sadness with spiky, incisive storytelling.

📖 Full Retelling

<p>Polly Findlay’s barnstorming drama about interpersonal and religious tumult in late middle age is a triumph, swerving any sense of sentimentalism</p><p>Movies about ageing empty-nesters going on a bittersweet holiday and unexpectedly having to confront something about their relationship are common enough. <a href="https://www.theguardian.com/film/2013/oct/10/le-week-end-review">Roger Michell’s Le Week-End</a> starred Jim Broadbent and Lindsay Duncan as an oldster

🏷️ Themes

Relationships, Emotional Drama

📚 Related People & Topics

Midwinter Break

2026 film

Midwinter Break is a 2026 drama film directed by Polly Findlay. The film is based on the 2017 novel of the same name by Bernard MacLaverty and follows a couple's trip to Amsterdam that stirs up memories of the past. The film stars Lesley Manville and Ciarán Hinds.

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Entity Intersection Graph

Connections for Midwinter Break:

👤 Bernard MacLaverty 1 shared
👤 Lesley Manville 1 shared
👤 Polly Findlay 1 shared
🌐 Amsterdam 1 shared
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Midwinter Break

2026 film

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Original Source
Review Midwinter Break review – sad, spiky and brilliantly acted portrait of rupture and rapture Polly Findlay’s barnstorming drama about interpersonal and religious tumult in late middle age is a triumph, swerving any sense of sentimentalism M ovies about ageing empty-nesters going on a bittersweet holiday and unexpectedly having to confront something about their relationship are common enough. Roger Michell’s Le Week-End starred Jim Broadbent and Lindsay Duncan as an oldster couple having a Eurostar break in Paris; and in Paolo Virz ì ’s sucrose The Leisure Seeker , Donald Sutherland and Helen Mirren impulsively head off in a Winnebago. There is often something soft and fuzzy and depressing in the wrong way about these films’ lenient sunset-sentimentalism – but not so with Polly Findlay’s fiercely sad, spiky and wonderfully acted film, based on a novel by Bernard MacLaverty (the author of Cal). Gerry and Stella, played by Ciarán Hinds and Lesley Manville, are a late-middle-aged couple from Northern Ireland who left for Scotland in the 1970s, traumatised by the Troubles, and are taking a restorative midwinter break in Amsterdam. They appear perfectly happy and affectionate, but Gerry has a drinking problem and Stella feels lonely because Gerry does not share her Catholic faith. In Amsterdam, Stella is struck with epiphanic rapture at the peaceful beauty of the Begijnhof , the city’s enclosed 14th-century courtyard that historically housed unmarried Catholic women who wanted to devote themselves to God. Stella realises that she wants nothing more than to live there as well. She can suddenly see, with pitiless clarity, how she has always hated Gerry’s genial mockery of her religion; perhaps she has always hated him, too. And she confesses to Kathy (Niamh Cusack), an Irish expatriate in the city, a terrible secret about her time in Northern Ireland that she has never told anyone. Perhaps there is something a little bit straightforward about making the Troubles a keyno...
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theguardian.com

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