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Pierrot Lunaire review – Royal Ballet reaches for the moon with a creepy dance of desire
| United Kingdom | politics

Pierrot Lunaire review – Royal Ballet reaches for the moon with a creepy dance of desire

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<p><strong>Linbury theatre, London<br></strong>Glen Tetley’s landmark 1962 ballet, set to Schoenberg’s atonal score, is stark, strange and psychologically charged</p><p>Sometimes the revival of an old work can make it, and us, feel revitalised: if it speaks to the present, for example, or refreshes our sensibilities, or just because its artfulness endures. Other times it stays in the past, like a historical curiosity, a museum piece, even a relic. Glen Tetley’
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<p><strong>Linbury theatre, London<br></strong>Glen Tetley’s landmark 1962 ballet, set to Schoenberg’s atonal score, is stark, strange and psychologically charged</p><p>Sometimes the revival of an old work can make it, and us, feel revitalised: if it speaks to the present, for example, or refreshes our sensibilities, or just because its artfulness endures. Other times it stays in the past, like a historical curiosity, a museum piece, even a relic. Glen Tetley’

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