9 New Movies Our Critics Are Talking About This Week
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Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
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Advertisement SKIP ADVERTISEMENT Supported by SKIP ADVERTISEMENT 9 New Movies Our Critics Are Talking About This Week Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about. Share full article By The New York Times March 20, 2026, 5:03 a.m. ET Sci-fi thriller turned buddy comedy. ‘Project Hail Mary’ This optimistic sci-fi adaptation directed by Phil Lord and Christopher Miller stars Ryan Gosling as a microbiologist who befriends an alien and tries to save the world. From our review: Before long, a science-fiction freakout — one that is easy to see as a metaphor for our own climate catastrophe — has turned into a good-natured buddy movie that becomes increasingly, almost willfully more insubstantial with each new chuckle. In theaters. Read the full review . Project Hail Mary Save to your watch list : Want to watch Have seen Critic’s Pick Two final girls are better than one. ‘Ready or Not 2: Here I Come’ Samara Weaving returns as Grace, who survived a murderous hunt by a satanic family in the first film and now must survive again, this time with her sister, Faith (Kathryn Newton). From our review: “Ready or Not 2: Here I Come” is a worthy sequel, repeating some of the same beats as its predecessor, but cleverly reinvented so that it’s still unpredictable and hilariously bizarre. Matt Bettinelli-Olpin and Tyler Gillett, who make films under the collective called Radio Silence, return to the film’s helm, managing a tricky balance of horror, comedy and at times genuine cruelty and pathos. In theaters. Read the full review . Ready or Not 2: Here I Come Save to your watch list : Want to watch Have seen Critic’s Pick A dizzying take on ‘Vertigo.’ ‘Miroirs No. 3’ Directed by Christian Petzold, this film inspired by “Vertigo” follows a music student recovering from a car accident near the home of an older woman. From our review: Petzold isn’t so much copying the Hitchcock movie here than offering an inspired variation on it....
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