‘Alpha’ Review: ‘Titane’ Director Julia Ducournau Adopts a More Grounded Form of Body Horror for This Dour and Dismal AIDS Allegory
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All credit to a newly-minted Palme d'Or-winner for having the courage to step out of their comfort zone, but "Alpha" is an insufferable misfire.
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Newsletters Open Menu Close Open Search Close Read Next: ‘Bait’ Review: Riz Ahmed Rethinks Becoming James Bond in Amazon’s Slick but Formulaic Action-Drama Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Film Review ‘Alpha’ Review: ‘Titane’ Director Julia Ducournau Adopts a More Grounded Form of Body Horror for This Dour and Dismal AIDS Allegory All credit to a newly-minted Palme d'Or-winner for having the courage to step out of their comfort zone, but "Alpha" is an insufferable misfire. By David Ehrlich David Ehrlich davidehrlich More stories by David ‘Kontinental ’25’ Review: A Transylvanian Bailiff Tries to Ease Her Guilty Conscience in Radu Jude’s Droll and Biting iPhone Comedy Read more ‘André Is an Idiot’ Review: Get a F**king Colonoscopy! Read more ‘The Musical’ Review: A Darkly Comic ‘School of Rock’ for the Era of Stephen Miller Read more March 25, 2026 11:58 am Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Editor’s Note: This review was originally published during the 2025 Cannes Film Festival. Neon releases the film in theaters Friday, May 27, 2026. Julia Ducournau has insisted that genre “imposed a distance” on her first two features, but to watch her third — the dour and dismal “ Alpha ,” which eschews the more legible body horror of her earlier work in favor of a comparatively grounded AIDS all...
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