Точка Синхронізації

Czech ice dancers Kateřina Mrázková and Daniel Mrázek debuted a routine set to AI-generated music during the figure skating competition at the 2024 Winter Olympics in Beijing, aiming to showcase a futuristic artistic concept. The sibling duo utilized a composition created through large language models (LLMs) to push the boundaries of traditional sports performance, but the move has since sparked significant controversy regarding the ethics of artificial intelligence in professional athletics. The performance was intended to demonstrate the intersection of technology and human artistry on one of the world's most prestigious sporting stages. Following the performance, the skating community and copyright experts raised alarms as the AI-generated track bore a striking resemblance to existing musical works. While the athletes sought to be innovators, the situation has become a cautionary tale about the pitfalls of using generative technology in high-stakes environments. Because LLMs are trained on massive datasets of human-created content, they often produce outputs that mirror their training data too closely, leading to accusations of unintentional plagiarism that could potentially impact scoring and professional standing. This incident highlights a growing tension between creative evolution and intellectual property rights in the digital age. For Mrázková and Mrázek, the experiment revealed that the technology they hoped would give them a unique edge lacked the originality required for professional artistic expression. As sports federations and governing bodies begin to grapple with these new tools, the discussion is shifting toward setting stricter regulations on the provenance of music used in international competitions to protect original creators and maintain the integrity of the sport.