‘Big Girls Don’t Cry’ Review: New Zealand Drama Dives Into a Vivid Portrait of Millennial Teen Confusion
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Paloma Schneideman’s coming-of-age feature, set in the aughts, stars Ani Palmer, Rain Spencer and Noah Taylor.
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Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Big Girls Don’t Cry is notable for two impressive debuts: It’s writer-director Paloma Schneideman’s first feature, and its star, Ani Palmer, has never before acted onscreen. Together, they illuminate a messy, searching vibrancy in the story of Sid, a sex-curious small-town 14-year-old who wants more than anything to be cool. The movie — the first produced feature from A Wave in the Ocean , a filmmaking course led by Jane Campion — is alive to the ways that girls, eager for acceptance, can pretend to be tougher and more experienced than they are, and adds the complicating element of queer attraction to the emotional confusion. Related Stories Movies 'Ready or Not 2: Here I Come' Review: Samara Weaving and Sarah Michelle Gellar in a Sequel That Can't Quite Conjure the Original's Dark Magic Movies 'The Sun Never Sets' Review: Dakota Fanning and Jake Johnson Bring Warm Chemistry to Joe Swanberg's Wishy-Washy Romantic Dramedy Schneideman’s keenly observed drama could have been more concise on its way to its culminating New Year’s Eve party, but this story of the summer holiday break in rural New Zealand pulses with a powerful sense of place and terrifically charged scenes of chaotic intimacy, its exceptional performances led by Palmer, Rain Spencer and Noah Taylor. Big Girls Don't Cry The Bottom Line Rich in sensory detail and sharply observed. Venue: SXSW Film Festival (Festival Favorite) Cast: Ani Palmer, Rain Spencer, Noah Taylor, Sophia Kirkwood-Smith, Tara Canton, Ngātaitangirua Hita, Ian Blackburn Director-screenwriter: Paloma Schneideman 1 hour 39 minutes The movie is set in in 2006, when cellphones aren’t yet smart and the stuttering screeches and hisses of the dial-up internet form a kind of soundtrack to the teen social scene. Sid live...
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