Chaplin, Trumbo, Red Scare! Locarno Film Fest Sets “Hollywood Left and the Blacklist” Retrospective
📖 Full Retelling
”The imaginative ways of incorporating political consciousness into film, and the tragic consequences of that political determination, form the thrilling story of this program, offering new angles on the witch hunts of the McCarthy era.”
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Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment The “Red Scare” and the infamous Hollywood blacklist of the McCarthy era will be the timely topics of the retrospective at this year’s Locarno Film Festival . Under the title Red & Black – Hollywood Left and the Blacklist , the Swiss festival’s Retrospettiva, once again curated by Ehsan Khoshbakht , will put the spotlight on “one of the most turbulent and politically charged periods in the history of American cinema.” Last year , the festival revisited the “Great Expectations” of British postwar cinema. This year, it focuses on a politicized time in Hollywood postwar history. During the period from 1947 to the early 1960s, Hollywood professionals suspected of communist ties faced a crackdown. Produced in partnership with the Cinémathèque Suisse and with the support of UCLA Film & Television Archive, the program will paint “a complex portrait of an era in which creatives were confronted by unprecedented abuse of state and industry power and which they met, courageously, with fierce artistic resistance,” Locarno highlighted. Related Stories TV Disney+ Reveals Launch Dates for Korean Series 'Gold Land,' 'Perfect Crown' Movies Netflix Sets 'City Hunter 2' in Japan, With Ryohei Suzuki Returning as Lead “As the Cold War between the United States and the Soviet Union swelled into a defining feature of world politics, right-wing voices in the American political system alleged communist infiltration of Hollywood,” the festival explained. “Hearings that more closely resembled prosecutions followed, instigated by the House Un-American Activities Committee . The industry responded in fear and enforced a blacklist that upended careers, forced artists to adopt pseudonyms, stifled free expression, and exiled creators overseas. Guilt by association tore fa...
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