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‘Dog Day Afternoon’ Theater Review: Jon Bernthal and Ebon Moss-Bachrach Lead a Disastrous Adaptation of a Cinema Classic
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‘Dog Day Afternoon’ Theater Review: Jon Bernthal and Ebon Moss-Bachrach Lead a Disastrous Adaptation of a Cinema Classic

#Dog Day Afternoon #Broadway #Jon Bernthal #Rupert Goold #Stephen Adly Guirgis #Sidney Lumet #theater review #adaptation critique

📌 Key Takeaways

  • The Broadway production transforms the serious film into an inappropriate comedy
  • Creative conflicts occurred during production, with the playwright temporarily banned from rehearsals
  • The director fails to capture the tension and authenticity of the original film
  • The adaptation trivializes complex characters and relationships
  • The iconic 'Attica! Attica!' moment is turned into an awkward audience participation exercise

📖 Full Retelling

Jon Bernthal and Ebon Moss-Bachrach star in director Rupert Goold's misguided Broadway adaptation of the 1975 Sidney Lumet film 'Dog Day Afternoon' at New York's August Wilson Theater, where critics have panned the production for transforming the serious drama into an inappropriate antic comedy that reportedly caused creative clashes during rehearsals. The Pulitzer-winning playwright Stephen Adly Guirgis's adaptation fundamentally misunderstands the tone of Lumet's masterpiece, replacing its sober thriller elements with broad humor, cheap jokes, and caricatured characters that mock rather than empathize with the desperate figures at the center of the true story. The production fails to capture the tension and authenticity that made the original film a classic, with director Goold unable to translate Lumet's minimalist approach to the stage, resulting in clunky action sequences and performances that prioritize volume over authenticity. Most disturbingly, the adaptation trivializes complex relationships, particularly Sonny's connection with his trans wife Leon, handling the character with crassness that seems regressive compared to the more sensitive treatment in the 50-year-old film.

🏷️ Themes

Adaptation, Theater criticism, Film vs. stage

📚 Related People & Topics

Dog Day Afternoon

1975 American crime drama film by Sidney Lumet

Dog Day Afternoon is a 1975 American biographical crime drama film directed by Sidney Lumet and produced by Martin Bregman and Martin Elfand. The film stars Al Pacino, John Cazale, James Broderick and Charles Durning. The screenplay is written by Frank Pierson and is based on the Life magazine artic...

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Jon Bernthal

Jon Bernthal

American actor (born 1976)

Jonathan Edward Bernthal (; born September 20, 1976) is an American actor. He came to prominence for portraying Shane Walsh on the AMC horror drama series The Walking Dead (2010–2012; 2018), where he was a starring cast member in the first two seasons. Bernthal achieved further recognition as Frank...

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Broadway

Topics referred to by the same term

Broadway may refer to:

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Stephen Adly Guirgis

American dramatist (born 1965)

Stephen Adly Guirgis (born 1965) is an American playwright, screenwriter, director, and actor. He is a member and a former co-artistic director of New York City's LAByrinth Theater Company. His plays have been produced both Off-Broadway and on Broadway, as well as in the UK. His play Between Riversi...

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Rupert Goold

Rupert Goold

English theatre director

Rupert Goold (born 18 February 1972) is an English director who works primarily in theatre. He is the artistic director of the Almeida Theatre, and was the artistic director of Headlong Theatre Company (2005–2013). Since 2010, Goold has been an associate director at the Royal Shakespeare Company.

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Entity Intersection Graph

Connections for Dog Day Afternoon:

🌐 Broadway 4 shared
👤 Becky Shaw 1 shared
🌐 Giant 1 shared
👤 Tony Awards 1 shared
👤 Duncan Macmillan (playwright) 1 shared
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Mentioned Entities

Dog Day Afternoon

1975 American crime drama film by Sidney Lumet

Jon Bernthal

Jon Bernthal

American actor (born 1976)

Broadway

Topics referred to by the same term

Stephen Adly Guirgis

American dramatist (born 1965)

Rupert Goold

Rupert Goold

English theatre director

Deep Analysis

Why It Matters

This Broadway adaptation matters because it represents a significant cultural moment where a beloved classic film is being reinterpreted for the stage. The negative reception affects the careers of the actors (Jon Bernthal and Ebon Moss-Bachrach), the director (Rupert Goold), and the playwright (Stephen Adly Guirgis). It also impacts the legacy of the original film and raises questions about how sensitive social themes should be handled in contemporary theater adaptations.

Context & Background

  • Dog Day Afternoon is a 1975 film directed by Sidney Lumet, starring Al Pacino as Sonny Wortzik, a man who robs a bank to pay for his lover's gender reassignment surgery.
  • The film was based on a real-life 1972 bank heist in Brooklyn, New York, and was praised for its authentic portrayal of desperation and social commentary.
  • The original film was nominated for six Academy Awards and is considered a classic of American cinema.
  • This Broadway adaptation marks the first major theatrical adaptation of the film in its 50-year history.
  • The film is particularly noted for its sensitive portrayal of Sonny's relationship with his trans wife Leon, played by Chris Sarandon.
  • Director Rupert Goold is known for his innovative stage productions, including the acclaimed 'King Charles III.'
  • Playwright Stephen Adly Guirgis is a Pulitzer Prize-winning playwright known for works like 'Between Riverside and Crazy.'

What Happens Next

Given the critical panning, the production may face declining ticket sales and potentially a shortened run. The creative team might need to address the criticisms in future productions or press statements. The negative reception could also impact future adaptations of classic films, potentially leading to more careful consideration of tone and social themes in theatrical adaptations.

Frequently Asked Questions

What is 'Dog Day Afternoon' about?

Dog Day Afternoon is a 1975 film based on a real bank heist in Brooklyn, starring Al Pacino as a man who robs a bank to pay for his lover's gender reassignment surgery. The film explores themes of desperation, media frenzy, and LGBTQ+ relationships.

Who are the key people involved in this Broadway adaptation?

The adaptation is directed by Rupert Goold and stars Jon Bernthal and Ebon Moss-Bachrach. The screenplay is adapted by Pulitzer-winning playwright Stephen Adly Guirgis. It's being performed at New York's August Wilson Theater.

What are the main criticisms of this adaptation?

Critics have panned the production for transforming the serious drama into an inappropriate antic comedy, misunderstanding the tone of the original film, replacing thriller elements with broad humor, and trivializing complex relationships, particularly Sonny's connection with his trans wife Leon.

How does this adaptation compare to the original film?

The adaptation fails to capture the tension and authenticity that made the original film a classic. It replaces the sober thriller elements with broad humor and caricatured characters, and reportedly handles the trans character with crassness that seems regressive compared to the more sensitive treatment in the 50-year-old film.

What impact might this have on the careers of those involved?

The negative reception could impact the reputations of director Rupert Goold, playwright Stephen Adly Guirgis, and actors Jon Bernthal and Ebon Moss-Bachrach, potentially affecting their future casting opportunities and projects.

Is this the first adaptation of 'Dog Day Afternoon' for the stage?

Yes, this marks the first major theatrical adaptation of the film in its 50-year history, making it a significant cultural event despite its negative reception.

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Original Source
Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment In his review for The New York Times , the critic Vincent Canby wrote of Sidney Lumet’s Dog Day Afternoon , “If you can let yourself laugh at desperation that has turned seriously lunatic, the film is funny, but mostly it’s reportorially efficient and vivid, in the understated way of news writing that avoids speculation.” He is right, of course: Lumet’s 1975 masterpiece is, on occasion, ruefully amusing, the tics and foibles of regular life incongruously interrupting a situation most dire and extraordinary. For the most part, though, Dog Day Afternoon is a sober thriller (Canby called it a melodrama) about a small-time Brooklyn bank heist blown up into a hostage crisis and city-wide fascination, about a man hard done by the system, who, for a few glorious and dangerous hours, almost breaks free by bending that very system to his will. There is a lot of serious stuff whirring through the film’s mind, a consideration of the fraught tempers of its fraught times. It crackles with immediacy, murmurs with furious sorrow. Related Stories Lifestyle Mariska Hargitay to Make Broadway Debut In 'Every Brilliant Thing' Lifestyle Sadie Sink, Noah Jupe Star in Shakespeare's 'Romeo & Juliet' in London, and Here Are First-Look Photos But the creators behind the new Broadway production of Dog Day Afternoon seem to have gotten stuck on the funny part. Adapted by Pulitzer-winning playwright Stephen Adly Guirgis, this Dog Day is an antic comedy of bumblers and busybodies and freaks, of nasty jokes and weak attempts at rabble-rousing. It’s a frustrating image, Guirgis and everybody else involved in this folly watching the intimate neorealism of Lumet’s film and saying, “Let’s turn this into a big Broadway farce.” There were reportedly some clashes over tone duri...
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