‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings
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At this fraught moment in our culture, it comes as a small surprise that a movie called “Drag” is not about the terrors of “gender ideology,” nor the apparent threat to Western civilization of people dressing up in garb generally associated with the opposite sex. Instead, writer-directors Raviv Ullman and Greg Yagolnitzer’s debut feature draws […]
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Mar 13, 2026 9:41pm PT ‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings In Raviv Ullman and Greg Yagolnitzer’s blackly comedic debut feature, two squabbling sisters choose very much the wrong house to break into and get trapped in. By Dennis Harvey Plus Icon Dennis Harvey Film Critic Latest ‘My Brother’s Killer’ SXSW Review: A Macabre Real-Life Murder Goes Unsolved for Decades 4 hours ago ‘The Strangers: Chapter 3’ Review: Even The Stabbing Feels Perfunctory in Weak Wrap to Horror Trilogy 1 month ago ‘Iron Lung’ Film Review: Markiplier Probes Inner and Outer Space in Sleeper Video-Game Adaptation 1 month ago See All At this fraught moment in our culture, it comes as a small surprise that a movie called “ Drag ” is not about the terrors of “gender ideology,” nor the apparent threat to Western civilization of people dressing up in garb generally associated with the opposite sex. Instead, writer-directors Raviv Ullman and Greg Yagolnitzer’s debut feature draws its title from the simple action of pulling a dead-weight object along the ground or floor. That item happens to be a woman — and she isn’t even one of the victims (at least yet) of a serial killer figuring significantly in the plot. Grievous bodily harm, nonconsensual drugging, murder, yes…still, thank god there’s nothing unwholesome here, like say a man in a dress. Related Stories Alberto Barbera to Remain Venice Film Festival Artistic Director Through 2028
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