François Ozon Found the Homoerotic Frisson in Camus for ‘The Stranger’ — and with French Heartthrob Benjamin Voisin
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The French filmmaker tells IndieWire about the seduction it took to obtain rights to the classic novel — and his leading actor's unusual immersion process to play a character whose indifference is his downfall.
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Newsletters Open Menu Close Open Search Close Read Next: John Travolta’s Directing Debut, Based on the Book He Wrote 30 Years Ago, to World Premiere at Cannes Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Filmmaker Interview François Ozon Found the Homoerotic Frisson in Camus for ‘The Stranger’ — and with French Heartthrob Benjamin Voisin The French filmmaker tells IndieWire about the seduction it took to obtain rights to the classic novel — and his leading actor's unusual immersion process to play a character whose indifference is his downfall. By Ryan Lattanzio Ryan Lattanzio Executive Editor ryanlattanzio More stories by Ryan François Ozon Found the Homoerotic Frisson in Camus for ‘The Stranger’ — and with French Heartthrob Benjamin Voisin Read more ‘Blue Film’ Trailer: Daring American Indie About a Camboy and His Pedophile Teacher Aims to Move (and Shock) You Read more John Travolta’s Directing Debut, Based on the Book He Wrote 30 Years Ago, to World Premiere at Cannes Read more April 2, 2026 2:00 pm Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Languor and the Mediterranean coast go together, it turns out, like François Ozon and Albert Camus. The prolific French filmmaker, who is giving the long-dead workhorse Rainer Werner Fassbinder a run for his money in terms of annual output, adapts Camus’ econom...
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