From Columbine to the 9/11 Attacks, Real-Life Violence Informed the New ‘Faces of Death’
Daniel Goldhaber and Isa Mazzei explain using authentic terror in their (mostly) fictional script.
Entity Intersection Graph
No entity connections available yet for this article.
Original Source
Newsletters Open Menu Close Open Search Close Read Next: ‘Hamlet’ Review: Riz Ahmed Tries to Convince Us We Need Another Adaptation of Shakespeare’s Masterpiece Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Interview From Columbine to the 9/11 Attacks, Real-Life Violence Informed the New ‘Faces of Death’ Daniel Goldhaber and Isa Mazzei explain using authentic terror in their fictional script. By Alison Foreman Alison Foreman More stories by Alison Video Game Movies Were Way More Fun When They Were as Weird as 1993’s ‘Super Mario Bros.’ Read more Horror Movies Seemed Unusually Good in Q1 — What Went Wrong at the Box Office? Read more Eli Roth’s ‘Ice Cream Man’ Finally Sets Summer Release Date for The Horror Section Read more April 7, 2026 3:00 pm Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp For director Daniel Goldhaber and his co-screenwriter Isa Mazzei , the new “Faces of Death” didn’t begin on today’s internet . In fact, the spirit of their terrifyingly inventive script traces all the way back to the mid-1990s in Boulder, Colorado — where the filmmaking duo first met. “That moment growing up there had a weirdly outsized influence on American culture, but also one that was kind of invisible,” Goldhaber said in a recent interview with Mazzei and IndieWire. “Boulder people realize how pervasive it was , bu...
Read full article at source