Harry Styles Defies Expectations With the Slow-Burning but Satisfying ‘Kiss All the Time. Disco, Occasionally.’: Album Review
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Superstars don’t stay relevant by doing what people expect, or even what their fans necessarily want. Crowd-pleasing is a fast track to becoming a nostalgia act, where an artist is trapped in a loop of playing to type (i.e. the hits and only the hits) year after year. It’s not a bad life — Paul […]
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Mar 3, 2026 8:59pm PT Harry Styles Defies Expectations With the Slow-Burning but Satisfying ‘Kiss All the Time. Disco, Occasionally.’: Album Review By Jem Aswad Plus Icon Jem Aswad Executive Editor, Music jemaswad Latest Lizzo’s Pitch-Perfect Residency at the Blue Note Jazz Club Launches a Dazzling New Chapter: Concert Review 1 day ago Neil Sedaka, Legendary Singer-Songwriter Behind ‘Breaking Up Is Hard to Do,’ ‘Bad Blood’ and ‘Love Will Keep Us Together,’ Dies at 86 4 days ago Music Industry Moves: Tiwa Savage Launches Foundation, Partners with Berklee College of Music to Empower Young African Talent; Residente Signs With UTA in All Areas 5 days ago See All Superstars don’t stay relevant by doing what people expect, or even what their fans necessarily want. Crowd-pleasing is a fast track to becoming a nostalgia act, where an artist is trapped in a loop of playing to type (i.e. the hits and only the hits) year after year. It’s not a bad life — Paul McCartney , the Rolling Stones, Elton John and countless others are making millions playing their decades-old hits to adoring, affluent, increasingly older crowds, with new songs being an indulgence for them and a bathroom break for the fans. Related Stories 'A Child of My Own' Review: Stylized Drama and Documentary Scrap Over the Truth In an Unhappy Maternity Tale
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