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‘Heel’ Review: Why Did Stephen Graham and Andrea Riseborough Sign on for This Contrived Debacle?
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‘Heel’ Review: Why Did Stephen Graham and Andrea Riseborough Sign on for This Contrived Debacle?

"Heel" is like "A Clockwork Orange" remade as the year’s worst Sundance movie.

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Mar 7, 2026 11:07am PT ‘Heel’ Review: Why Did Stephen Graham and Andrea Riseborough Sign on for This Contrived Debacle? A 19-year-old British punk sociopath gets kidnapped and chained in a basement for "rehabilitation." But it's the audience that feels imprisoned. By Owen Gleiberman Plus Icon Owen Gleiberman Chief Film Critic @OwenGleiberman Latest ‘The Bride!’ Review: Jessie Buckley and Christian Bale Are Magnetic Monsters in Maggie Gyllenhaal’s Lumbering Punk Horror Trip 3 days ago ‘Hoppers’ Review: The Delightful New Pixar Film Is an Out-of-the-Box Critter Comedy That’s Like ‘Bambi’ on Crack 5 days ago ‘Scream 7’ Review: Neve Campbell Returns for a Back-to-Basics Sequel That’s a Little Too Basic 1 week ago See All The original title of “ Heel ” was “Good Boy.” The new title is probably more accurate, though an even more accurate title might be “Painfully Annoying Punk Idiot.” I jest (a bit), since the title of “Heel” is actually a verb. The film wants to tell the story of a budding hooligan who needs to be brought to heel. That said, does anyone seriously want to see a movie about a 19-year-old British sociopath who gets chained up in a basement so that the weird upper-middle-class couple who’ve kidnapped him can modify his behavior? “Heel” is like “A Clockwork Orange” remade as the year’s worst Sundance movie. Related Stories Duffer Brothers’ New Netflix Series ‘The Boroughs’ Reveals First-Look Images, Release Date
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