How Maggie Gyllenhaal’s ‘The Bride!’ Uses IMAX Like No Other Film
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Director Maggie Gyllenhaal tells IndieWire about developing a visual language that brings a monstrous magic to IMAX.
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Newsletters Open Menu Close Open Search Close Read Next: The 7 Best New Movies Streaming on Netflix in March 2026 Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Filmmaker Toolkit How Maggie Gyllenhaal’s ‘The Bride!’ Uses IMAX Like No Other Film Director Maggie Gyllenhaal tells IndieWire about developing a visual language that brings a monstrous magic to IMAX. By Sarah Shachat Sarah Shachat Craft Editor sarahshachat More stories by Sarah How Maggie Gyllenhaal’s ‘The Bride!’ Uses IMAX Like No Other Film Read more Watch How the ‘Sinners’ VFX Team Makes the Dead Look Alive Read more Who Would Win a 2026 Best Stunt Design Oscar, According to IndieWire Read more March 7, 2026 10:00 am Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp When Maggie Gyllenhaal started prep on “The Lost Daughter,” one of the first things she and cinematographer Hélène Louvart talked about in their early Zoom conversation was light. What the light looks like in the first scene of the movie — the color of light, its clarity or gauziness or texture, how it plays with lens choice and framing — is as much a storytelling tool to guide viewers toward the film ‘s emotional reality as the dialogue. For her second film, “ The Bride!” , Gyllenhaal employed many different kinds of light, real and fantastical, to play with. But she needed to find a ci...
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