In ‘Scarlet Girls,’ a Debut Feature Director Tackles the Fact That Abortion Is Still “Completely Criminalized” in the Dominican Republic
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Paula Cury discusses taking “the hard route” for her first feature film, premiering at Copenhagen doc fest CPH:DOX, finding “very brave” women to speak up, and the global backlash against women’s rights.
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Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Five women reflect on their experiences with forced motherhood and clandestine abortions in the Dominican Republic in Paula Cury’s debut feature, Scarlet Girls . After all, the Dominican Republic is still one of the few countries where abortion is criminalized without exception. The film, exploring what it means to be a woman in the DR and the quiet violence of stigma, among other things, world premieres at the Copenhagen International Documentary Film Festival CPH:DOX on Thursday, March 12. It is featured in the Human:Rights competition section of the Danish festival’s 23rd edition , which runs March 11-22, and will then screen at SXSW. Related Stories Lifestyle Arty Froushan Puts His Own Disturbed Spin on Patrick Bateman in London's Sold-Out 'American Psycho' Revival: "It Takes Something Out of My Soul" Movies Studio Ghibli's 'Whisper of the Heart,' 'The Secret World of Arrietty' Set for Imax Re-Release Across North America Through a visual mix of evocative imagery and archival material, as well as the voices of five women, Scarlet Girls takes us inside women’s struggles. The testimonies shared come from four women who lived through abortion or forced motherhood, and from one mother whose daughter was denied cancer treatment because she was pregnant. To protect the women, their faces are not revealed, however. Instead, the images shown feature girls and women, all non-actresses, caught in private moments inside their homes and in ordinary life, mixed with improvised scenes in a school, as well as landscape and observational scenes. “This intimate, poetic approach offers a glimpse into girls’ and women’s everyday life, becoming a sort of autopsy of intergenerational trauma and inviting a reflection on how trauma is often hidden in everyday...
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