Nordic Power Player: NRK Drama Chief Marianne Furevold-Boland on ‘SKAM,’ Risk-Taking and Why TV Needs More Courage
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The winner of Series Mania's Woman in Series Award reflects on building global hits from a public broadcaster and the dangers of an increasingly risk-averse, algorithm-driven industry
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Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Marianne Furevold-Boland has spent her career shaping some of Norway ’s most influential television. As head of drama at NRK, she oversees a slate that has helped define the modern Scandinavian series boom, from Exit and State of Happiness to Powerplay and So Long Marianne . But it was her role as a producer on SKAM —the youth drama that became a global phenomenon and spawned multiple international remakes, including a U.S. version from American Idol producer Simon Fuller —that brought her international recognition, cementing her reputation as one of Europe’s most influential TV executives. Related Stories Movies Swiss Documentary Film Festival Visions du Réel Unveils Lineup for 57th Edition TV 'Adolescence' Tops 2026 Royal Television Society Program Awards, With 2 Wins for Owen Cooper A trained actor who began her career as a teenage children’s TV presenter, Furevold-Boland has moved fluidly across roles, as writer, script consultant and producer, bringing a storyteller’s instinct to the commissioning process. That perspective, combined with a strong public service ethos, has been central to NRK’s ability to punch above its weight internationally despite relatively modest budgets. On Tuesday night in Lille, Furevold-Boland was honored with the Woman in Series Award at international television festival Series Mania , recognizing her leadership and creative vision in the global TV landscape. Speaking to The Hollywood Reporter, Furevold-Boland discusses her unconventional path to TV’s C-Suite, the enduring impact of SKAM , and why risk-taking and trust remain essential in an increasingly competitive, algorithm-driven industry. How did you first get into television? I started out as a children’s TV presenter at NRK when I was 19, straight out ...
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