‘Over Your Dead Body’ Review: Jason Segel and Samara Weaving Are Out to Kill Each Other in a Mad Thriller That May Be the Quintessential SXSW Movie
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It’s a bloody cat-and-mouse game of the most extreme kind — a spectacle of sadistic survivalism gone mad, all staged with a logistically brutal joy.
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Mar 14, 2026 8:14pm PT ‘Over Your Dead Body’ Review: Jason Segel and Samara Weaving Are Out to Kill Each Other in a Mad Thriller That May Be the Quintessential SXSW Movie Jorma Taccona's comedy of mayhem is a gonzo "Scenes from a Marriage" meets the Coen brothers meets the "Evil Dead" films. In other words...fun! By Owen Gleiberman Plus Icon Owen Gleiberman Chief Film Critic @OwenGleiberman Latest ‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterous — Game 24 hours ago ‘The Rise of the Red Hot Chili Peppers: Our Brother, Hillel’ Review: A Blistering Portrait of the Band’s Early Years Melts Into an Overdone Lament 1 day ago ‘I Love Boosters’ Review: Keke Palmer Takes Charge in Boots Riley’s Playfully Out-There Riff on Shoplifting, Sisterhood and Fashion Madness 2 days ago See All A different film festival takes place somewhere in the world nearly every week. But the big-dog film festivals are those that can be symbolized by a certain kind of movie: the earnest dramas and quirky comedies that define Sundance, the high-minded international cinema that rules at Cannes. Yet SXSW may be the only film festival where a quintessential movie that plays there isn’t just defining — it’s practically a genre . Here are some of the qualities that comprise what has come to be seen as the classic SXSW movie experience. It is violent. It is funny. It is aggressive. It involves murder and mayhem executed in flamboyantly nonchalant ways. It is on some level an action ride, though a ride with attitude. It’s smart about being debauched, and flippantly ironic about being smart. That’s what gives it the hip factor that’s the key to the SXSW secret sauce. Related Stories 'The Heart Is a Muscle' Director on Family, Fatherhood and Moving From Generational 'Trauma' to 'Healing' in South African Oscar Entry
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