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‘Over Your Dead Body’ Review: Jorma Taccone’s Mean-Spirited Action-Comedy with Samara Weaving and Jason Siegel Is a Misfire
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‘Over Your Dead Body’ Review: Jorma Taccone’s Mean-Spirited Action-Comedy with Samara Weaving and Jason Siegel Is a Misfire

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SXSW: Weaving and Siegel are mismatched as a hateful married couple in Jorma Taccone’s miscalibrated action-comedy.

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Newsletters Open Menu Close Open Search Close Read Next: ‘KPop Demon Hunters’ Winners Finish Their Cut-Off Acceptance Speech Backstage: ‘A Movie Is Like a Village’ Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. SXSW ‘Over Your Dead Body’ Review: Jorma Taccone’s Mean-Spirited Action-Comedy with Samara Weaving and Jason Siegel Is a Misfire SXSW: Weaving and Siegel are mismatched as a hateful married couple in Jorma Taccone’s miscalibrated action-comedy. By Katie Rife Katie Rife More stories by Katie ‘Union County’ Review: Will Poulter Stars in a Sensitive Docudrama About Community Recovery Read more ‘Mum, I’m Alien Pregnant’ Review: A Sweet Kiwi Gross-Out Comedy Coated in Extra-Terrestrial Goo Read more ‘Dead Man’s Wire’ Review: Gus Van Sant’s Burn-It-All-Down Crime Film Has Sympathy for the Kidnapper Read more March 16, 2026 9:00 am Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp It is absolutely possible to make extreme violence funny. The accidental headshot in “ Pulp Fiction ” is one quintessential example, as is the wood chipper in “ Fargo .” The tone of both films is finely calibrated, so both moments carry a sense of absurd irony. They’re unexpected, in short, which is not the case with the unrelenting sadism of “ Over Your Dead Body .” By the end of this numbingly mean-spirited movie, even a plastic bag...
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