‘The Peril at Pincer Point’ Review: A Sound Designer Chases the Waves in a Handsome Feat of Shoestring Surrealism
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In “The Peril at Pincer Point,” an eager young sound designer is willing to go fully off the deep end in the name of cinematic ingenuity — and in their impressively bananas first feature as a duo, one suspects writer-directors Jake Kuhn and Noah Stratton-Twine may have done the same. Either a satire or a […]
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Mar 20, 2026 6:29am PT ‘The Peril at Pincer Point’ Review: A Sound Designer Chases the Waves in a Handsome Feat of Shoestring Surrealism Brazenly ludicrous but intriguing, this beautifully crafted oddity from British writer-directors Jake Kuhn and Noah Stratton-Twine has niche midnight-movie potential. By Guy Lodge Plus Icon Guy Lodge Film Critic @guylodge Latest ‘Phenomena’ Review: An Iridescent Ode to Ordinary Wonders 5 days ago ‘Pizza Movie’ Review: Gaten Matarazzo Goes from Stranger to Sillier Things in a Goofy Bad-Trip Comedy 7 days ago ‘Peaky Blinders: The Immortal Man’ Review: Barry Keoghan Joins Cillian Murphy for More Rousing Brutes-in-Suits Action 2 weeks ago See All In “ The Peril at Pincer Point ,” an eager young sound designer is willing to go fully off the deep end in the name of cinematic ingenuity — and in their impressively bananas first feature as a duo, one suspects writer-directors Jake Kuhn and Noah Stratton-Twine may have done the same. Either a satire or a celebration of independent filmmaking at its most impractically intrepid, this microbudget curio wears a hotchpotch of influences on its stained, frayed sleeve — from Powell and Pressburger to grimy folk horror to the indie postmodernism of Mark Jenkin and Peter Strickland — but still maintains its own perverse, peculiar voice. Related Stories Only Half of Americans Went to a Movie Theater in 2025, According to Pew Study
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