‘The Stranger’ Review: François Ozon Unpacks French-Algerian Tensions in His Albert Camus Update
This atmospheric — and mostly loyal — adaptation might be too pretty for its own good.
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Newsletters Open Menu Close Open Search Close Read Next: Steven Soderbergh’s ‘The Christophers’ Wins Narrative Audience Award at Sonoma International Film Festival 2026 Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Film Review ‘The Stranger’ Review: François Ozon Unpacks French-Algerian Tensions in His Albert Camus Update This atmospheric — and mostly loyal — adaptation might be too pretty for its own good. By Sophie Monks Kaufman Sophie Monks Kaufman More stories by Sophie ‘My Wife Cries’ Review: Angela Schanelec’s Marriage Story Is a Moving, Mysterious Humanist Marvel Read more ‘Isabel’ Review: A Brazilian Sommelier Dreams Small in a Film That Eventually Abandons Her Read more ‘Lady’ Review: A Taxi Driver Starts Moonlighting as a Sex Worker Chauffeur in a Vivid Neo-Noir About Dreams, Gender, and Hardship in Modern Lagos Read more March 30, 2026 10:20 am Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Editor’s Note: This review was originally published during the 2025 Venice Film Festival. “ The Stranger ” opens in select theaters starting April 4, 2026. There is a chameleonic quality to François Ozon; unlike many auteurs, he does not simply remake the same film in different guises. The cool, voyeuristic gaze of Charlotte Rampling in the psychosexual thriller “Swimming Pool” is nothing like the Catherine De...
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