‘The Testaments’: Trailer for ‘The Handmaid’s Tale’ Sequel Series Reveals a Coming-of-Age Thriller
📖 Full Retelling
The highly anticipated follow-up from Hulu, premiering April 8, stars Chase Infiniti as the daughter to Elisabeth Moss' heroine who is growing up in Gilead.
Entity Intersection Graph
No entity connections available yet for this article.
Original Source
Share on Facebook Share on X Google Preferred Share to Flipboard Show additional share options Share on LinkedIn Share on Pinterest Share on Reddit Share on Tumblr Share on Whats App Send an Email Print the Article Post a Comment Logo text Coming of age in the universe of The Handmaid’s Tale was always going to be a horror story, and the new trailer for The Testaments reveals just how terrifying things will get for the girls who are growing up in Gilead. Hulu has released the highly anticipated first look at the sequel series to the Emmy-winning Margaret Atwood adaptation that captivated viewers for six seasons until it signed off in May 2025. The Handmaid’s Tale brought the Elisabeth Moss -starring tale full circle , but also set her protagonist June Osborne on an open-ended journey when she vowed to never stop fighting for the return of her first daughter Hannah, who has been renamed Agnes ever since she was taken from her and is now growing up as a young teen in Gilead. Related Stories TV 'The Bear' Set to End With Season 5 at FX and Hulu TV Seth MacFarlane Teases New Life for 'The Orville': "Season 4 Is Written" Now enter The Testaments , and viewers meet grown-up Agnes, who is played by Chase Infiniti . The trailer shows Agnes as a “Plum” (colors mean everything in Gilead), which means she is coming of age under the totalitarian regime that her mother and a growing resistance are fighting against, and is in training to be a Gilead wife. “It’s easier to accept a story than believe that the people around you are monsters,” Agnes begins in the two-minute trailer , which is set to The Cranberries’ iconic ’90s staple “Dreams.” As the trailer gets deeper into its introduction, Agnes’ plum view on her world gets darker and darker, as familiar Gileadean images of this patriarchal world surface, like people being hung on “the wall” and the Wives laying down Gilead law to their “daughters.” But the trailer ends with the key ingredients of The Handmaid’s Tale — resistance...
Read full article at source