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What Clint Eastwood's 'Gran Torino' got right — and what America refused to learn
| USA | general

What Clint Eastwood's 'Gran Torino' got right — and what America refused to learn

#Gran Torino #Bee Vang #Minneapolis #Hmong Americans #Insurrection Act #ICE #Southeast Asian refugees #racial justice

📌 Key Takeaways

  • Bee Vang argues that the 'post-race' ideals of the 2008 film 'Gran Torino' have failed to materialize for the Hmong community in Minneapolis.
  • Recent federal immigration enforcement actions and the death of Renee Good have shattered the sense of belonging for Minnesota's immigrant populations.
  • The author links modern-day ICE operations and police violence to the historical trauma of the U.S. military's 'Secret War' in Laos.
  • Vang calls for white audiences to reinvigorate the moral growth they admired in 'Gran Torino' to combat rising national xenophobia.

📖 Full Retelling

Actor Bee Vang, who starred as Thao in the 2008 film 'Gran Torino,' published a poignant reflection on February 4, 2026, regarding the deteriorating state of immigrant safety and multiculturalism in Minneapolis following recent federal immigration crackdowns. Writing in the context of the fatal shooting of Renee Good by a U.S. Immigration and Customs Enforcement (ICE) agent and subsequent threats of the Insurrection Act by Donald Trump, Vang argues that the 'post-race' promise once symbolized by the film has been replaced by a climate of state-sanctioned cruelty. The actor highlights the stark contrast between the cinematic hope of racial reconciliation and the current reality of fear gripping the Twin Cities' Hmong American community. The essay traces the history of Hmong refugees in Minnesota, noting that the Twin Cities once served as a cosmopolitan beacon for displaced Southeast Asian families searching for belonging after the 'Secret War' in Laos. Vang notes that while 'Gran Torino'—inspired by the Minneapolis Hmong community but filmed in Detroit—was hailed as a milestone for the 'Obama era,' the systemic violence it sought to address has returned to the streets of Minneapolis. He compares the modern trauma of ICE raids and police violence to the historical trauma of American military intervention in Southeast Asia, suggesting that for non-white residents, the sense of home remains dangerously tentative. Vang concludes by challenging the American public to move beyond the passive consumption of redemptive stories like Walt Kowalski’s transformation. He observes that many white viewers previously viewed the film’s protagonist as a model for their own potential change, yet that moral clarity has seemingly faded into apathy or silence. With local businesses closing and federal enforcement creating a 'new normal' of chaos, Vang emphasizes that the struggle for inclusion is not a relic of the past but an ongoing domestic conflict that must be won to ensure collective survival.

🏷️ Themes

Multiculturalism, Immigration, Racial Reconciliation

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📄 Original Source Content
By Bee Vang Guest contributor Feb. 4, 2026 3 AM PT 6 min Click here to listen to this article Share via Close extra sharing options Email Facebook X LinkedIn Threads Reddit WhatsApp Copy Link URL Copied! Print 0:00 0:00 1x This is read by an automated voice. Please report any issues or inconsistencies here . p]:text-cms-story-body-color-text clearfix max-w-170 mt-7.5 mb-10 mx-auto" data-subscriber-content> There was a deep chill in the air the day President Trump said he’d consider invoking the Insurrection Act after a U.S. Immigration and Customs Enforcement agent fatally shot Renee Good in south Minneapolis. Something came to mind: Inhumanity follows atrocities as the “jackal follows the wounded beast.” That dictum feels newly relevant amid the popular refrain from Trump’s critics that the cruelty is the point. I grew up in north Minneapolis, in a neighborhood abutting Olson Memorial Highway, the main road that came to define this working-class, mostly nonwhite part of the city. Many Hmong American families, including my own, have called the area home for decades. The Twin Cities have become almost interchangeable with Hmong America. Things were different for us here. This seemingly provincial Midwestern metro area was a beacon of cosmopolitanism. Indeed, Olson Memorial Highway wasn’t merely a road or a geographic marker. It was a symbolic one. Here, different corners of the world converged — along with their histories, peoples and cultures — leading toward a multiculturalism in the Midwest that the rest of the country might have aspired to. Advertisement For screenwriter and Minneapolis native Nick Schenk, this Twin Cities became the backdrop for his script “Gran Torino,” later turned into a $270-million box-office hit helmed by Clint Eastwood, in which I co-starred as a young Hmong American. (Though the Twin Cities originally inspired Schenk’s writing, the film was ultimately set in Detroit.) Released in 2008, just a month after Barack Obama was first elected pr...

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