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‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets
| United Kingdom | politics | ✓ Verified - theguardian.com

‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets

#Paolo Sorrentino #Toni Servillo #cinema #collaboration #secrets #smoking #interview

📌 Key Takeaways

  • Paolo Sorrentino and Toni Servillo discuss their private, unspoken bond as collaborators.
  • They reflect on the role of smoking in their films and personal lives.
  • The conversation explores the nature of secrets and what remains unshared in their relationship.
  • They share insights on their cinematic partnership and creative process.

📖 Full Retelling

<p>A drama about a president at the end of his career, La Grazia is the director’s finest film since The Great Beauty. As he reunites with his longtime collaborator, the pair discuss ageing, loyalty and the mysterious energy that has bound them for more than two decades</p><p>‘They like to smoke,” says the publicist ahead of my interview with Paolo Sorrentino and Toni Servillo. That’s why the table and chairs have been hastily dragged outside. That’s why today’s audience will b

🏷️ Themes

Cinematic Collaboration, Privacy

📚 Related People & Topics

Paolo Sorrentino

Paolo Sorrentino

Italian film director and screenwriter

Paolo Sorrentino ( SORR-ən-TEE-noh, Italian: [ˈpaːolo sorrenˈtiːno]; born 31 May 1970) is an Italian film director, screenwriter, and writer. He is considered one of the most prominent filmmakers of Italian cinema working today. He is known for visually striking and complex dramas and has often been...

View Profile → Wikipedia ↗
Toni Servillo

Toni Servillo

Italian actor (born 1959)

Marco Antonio "Toni" Servillo (Italian: [ˈtɔːni serˈvillo]; born 25 January 1959) is an Italian actor and theatrical director. He has won the European Film Award for Best Actor twice, in 2008 for both Gomorrah and Il Divo and in 2013 for The Great Beauty, as well as winning the David di Donatello fo...

View Profile → Wikipedia ↗

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Mentioned Entities

Paolo Sorrentino

Paolo Sorrentino

Italian film director and screenwriter

Toni Servillo

Toni Servillo

Italian actor (born 1959)

Deep Analysis

Why It Matters

This interview matters because it offers rare insight into the creative partnership between one of Italy's most acclaimed contemporary filmmakers and his frequent leading actor, revealing how their private relationship fuels their acclaimed artistic collaborations. It affects film enthusiasts, Italian cinema scholars, and aspiring filmmakers who study collaborative creative processes. The discussion about maintaining privacy in artistic partnerships also resonates in an era of oversharing, showing how boundaries can preserve creative magic.

Context & Background

  • Paolo Sorrentino is an Oscar-winning Italian director known for films like 'The Great Beauty' (2013) which won the Academy Award for Best Foreign Language Film
  • Toni Servillo has starred in multiple Sorrentino films including 'The Great Beauty', 'Il Divo' (2008), and 'The Consequences of Love' (2004), becoming the director's most frequent collaborator
  • Their collaboration represents one of the most significant director-actor partnerships in contemporary European cinema, comparable to Scorsese-De Niro or Fellini-Mastroianni in Italian film history
  • Italian cinema has a strong tradition of long-term creative partnerships, with directors like Federico Fellini, Michelangelo Antonioni, and Luchino Visconti having recurring collaborations with specific actors

What Happens Next

Sorrentino and Servillo will likely continue their collaboration on future film projects, though no specific upcoming joint project has been announced. Their next individual works will be closely watched by international film festivals. The interview may inspire more publications to explore creative partnerships in cinema, potentially leading to documentaries or books about director-actor collaborations.

Frequently Asked Questions

Why is the Sorrentino-Servillo partnership so significant in cinema?

Their partnership has produced multiple award-winning films that have defined contemporary Italian cinema internationally, including 'The Great Beauty' which won the Oscar for Best Foreign Language Film. Their collaboration represents a rare continuity in modern filmmaking where director and actor develop a shared artistic language over decades.

What does their emphasis on privacy reveal about creative partnerships?

Their insistence on keeping certain aspects of their relationship private suggests that maintaining mystery and personal boundaries can enhance creative collaboration. This approach contrasts with modern tendencies toward total transparency, showing how selective privacy might preserve the artistic spark in long-term partnerships.

How does their collaboration fit into Italian cinema tradition?

Their partnership continues Italy's rich history of director-actor collaborations that have defined cinematic movements, similar to Fellini-Mastroianni or Visconti-Lancaster. However, they bring a contemporary sensibility to this tradition, addressing modern themes while maintaining the artistic intimacy characteristic of Italian auteur cinema.

What impact has their work had on international perceptions of Italian cinema?

Their collaborations, particularly 'The Great Beauty', have revived international interest in Italian cinema after a period of reduced global visibility. Their films have successfully competed at major festivals like Cannes and the Oscars, reestablishing Italy as a powerhouse of artistic filmmaking in the 21st century.

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Original Source
Interview ‘Our bond is private. Some things have to stay between us’: Paolo Sorrentino and Toni Servillo on smoking, cinema and secrets Xan Brooks A drama about a president at the end of his career, La Grazia is the director’s finest film since The Great Beauty. As he reunites with his longtime collaborator, the pair discuss ageing, loyalty and the mysterious energy that has bound them for more than two decades ‘T hey like to smoke,” says the publicist ahead of my interview with Paolo Sorrentino and Toni Servillo. That’s why the table and chairs have been hastily dragged outside. That’s why today’s audience will be conducted alfresco. We’re on the cramped sixth-floor balcony of a Venice hotel, overlooking the sea, beneath a tumult of dark clouds. The publicist points down at my recording device and asks: “Will it pick up what they say, or just the noise of the wind?” They like to smoke – of course they do. The Italian film-maker and his muse are both men of old Europe: rigid and courtly and serenely unreconstructed; dignified at the core and a little rackety around the edges. They’ve made seven pictures together and dearly hope they’ll make an eighth. But who can predict? Even the best-laid plans can come a cropper. Sorrentino and Servillo know that time is finite and that the reassuring old order is slipping into the past. They’ve barely whipped out their cigars before the rain comes in sideways. We survive two minutes on the balcony and trundle back to the table indoors. “The horizon is approaching,” says the pope to the hero in Sorrentino’s new movie, La Grazia , an elegant, elegiac drama about a statesman’s last six months in office. Servillo plays Mariano De Santis, the outgoing president of the Italian republic, confronted with a series of moral and ethical choices. De Santis isn’t perfect. He’s cautious and deliberate to the point of indecision. He struggles to square his Catholic faith with his legal training. But he’s a dedicated public servant, conceivably...
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