‘Phenomena’ Review: An Iridescent Ode to Ordinary Wonders
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Josef Gatti tells us little that we don’t already know in “Phenomena,” and that’s pretty much the point. In his first feature-length documentary, the Australian takes a seductive, hyper-sensory approach to the kind of educational filmmaking that any sixth-grade science teacher would be glad to use as a classroom aid — and in so doing, […]
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Mar 15, 2026 11:31am PT ‘Phenomena’ Review: An Iridescent Ode to Ordinary Wonders Australian filmmaker Josef Gatti's gorgeous close-up study of the natural forces shaping and driving the universe is at once familiar and an eye-opener. By Guy Lodge Plus Icon Guy Lodge Film Critic @guylodge Latest ‘Pizza Movie’ Review: Gaten Matarazzo Goes from Stranger to Sillier Things in a Goofy Bad-Trip Comedy 2 days ago ‘Peaky Blinders: The Immortal Man’ Review: Barry Keoghan Joins Cillian Murphy for More Rousing Brutes-in-Suits Action 1 week ago ‘The Garden We Dreamed’ Review: Powerful Mexican Migrant Drama Finds Moments of Serenity Amid Adversity 3 weeks ago See All Josef Gatti tells us little that we don’t already know in “Phenomena,” and that’s pretty much the point. In his first feature-length documentary, the Australian takes a seductive, hyper-sensory approach to the kind of educational filmmaking that any sixth-grade science teacher would be glad to use as a classroom aid — and in so doing, makes fundamental facts of the universe seem once more beguilingly mysterious to us. Using a combination of simple home experiments and intricate analog filmmaking, Gatti physically illuminates the forces of nature (energy, gravity, entropy and so on) that we often mistakenly think of as impalpable. Related Stories BAFTAs Make the Oscars Race Messy, From Timothée Chalamet’s Shocking Loss to Sean Penn and Wunmi Mosaku Proving Supporting Races Are Anyone’s Game
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