‘Vladimir’ Review: Rachel Weisz’s Vexing Netflix Series Aims for ‘Fleabag’ and Falls Wildly Short
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Adapted from Julia May Jonas' novel of the same name (and adapted by the author herself), the eight-part limited series follows a literary professor whose fixation on a hot young author takes over her life.
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Newsletters Open Menu Close Open Search Close Read Next: ‘Peaky Blinders: The Immortal Man’ Review: A Fiery but Familiar Sequel with Plenty of Angst and Shakespearean-Sized Emotions Newsletters Close Open Menu Close Open Search Search for: Search for: Close Menu Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter. Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply. IndieWire is a part of Penske Media Corporation. © 2026 IndieWire Media, LLC. All Rights Reserved. Chasing 'Fleabag' ‘Vladimir’ Review: Rachel Weisz’s Vexing Netflix Series Aims for ‘Fleabag’ and Falls Wildly Short Adapted from Julia May Jonas' novel of the same name (and adapted by the author herself), the eight-part limited series follows a literary professor whose fixation on a hot young author takes over her life. By Ben Travers Ben Travers TV Critic BenTTravers More stories by Ben ‘Rooster’ Review: Steve Carell’s Charming HBO Comedy Just Needs to Get Out of Its Own Way Read more ‘DTF St. Louis’ Review: HBO’s Stellar Suburban Murder-Mystery Is More Than Meets the Eye Read more ‘Scrubs’ Review: Can J.D. Shine in TV’s ‘Ted Lasso’ Era, or Has Time Already Passed Him by? Read more March 5, 2026 2:00 pm Share Share on Facebook Post Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Relevancy is as fleeting as it is subjective. Look no further than your typical classroom, where a book being passionately taught by a professor is undoubtedly being judged as utterly meaningless by at least one of their students. Some people can accept these disagreements, but for M, the unnamed protagonist played by Rachel Weisz in “V...
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