From The Testament of Ann Lee to Gorillaz: your complete entertainment guide to the week ahead

From The Testament of Ann Lee to Gorillaz: your complete entertainment guide to the week ahead Amanda Seyfried is Shaker all over in a wild period drama, while Damon Albarn and his cartoon cohort return with a polyglot offering Contents 1 Going out: Cinema 2 Going out: Gigs 3 Going out: Art 4 Going out: Stage 5 Staying in: Streaming 6 Staying in: Games 7 Staying in: Albums 8 Staying in: Brain food Going out: Cinema The Testament of Ann Lee Out now In Mona Fastvold’s critically acclaimed drama, Amanda Seyfried shakes things up as the founder of the restorationist Christian sect the United Society of Believers in Christ’s Second Appearing. More commonly known as the Shakers, the egalitarian ecstatic worship group coalesced round the visionary female leader in the 18th century. Scream 7 Out now The Kevin Williamson-scripted Scream films (1, 2, 4) are probably the best in the franchise, and this time he not only writes but directs the antics of Ghostface et al. Neve Campbell, David Arquette, Matthew Lillard and Courteney Cox all make appearances, regardless of whether you thought their characters were dead or not. Sirât Out now In the deserts of southern Morocco, a man searches for his missing daughter, enlisting the help of a group of partygoers who tell of a rave deep in the desert where perhaps she can be found. Óliver Laxe won the Cannes jury prize for this genre-defying drama, in which rave culture and survival thriller collide. Glasgow film festival Various venues, to 8 March The audience-friendly film festival continues, and closes with James McAvoy’s feelgood directorial debut, California Schemin’, based on the true story of the Scottish rappers who successfully pretended (for a while anyway) to be from California. Catherine Bray Going out: Gigs MGK 5 to 12 March; tour starts London The US artist formerly known as Machine Gun Kelly brings his hyper blend of rock, pop and hip-hop to various arenas in support of last year’s Bob Dylan-approved (no, really) Lost Ame...